Ruth Wilson BBC and Guardian Interviews

Ruth was on BBC Breakfast last week talking about "Capturing Mary" and "A Real Summer", both written by Stephen Poliakoff and neither of which I've had time to watch yet! I will do, hopefully this weekend. I found the following video on YouTube, I unfortunately missed it as I had to go to work.



Ruth was interviewed in the Guardian and talked about the Poliakoff dramas and about how she makes her own luck and if it all goes wrong, opening The Jane Eyre Tea Shop!

Ruth Wilson In "The Times"

There is a lovely interview with Ruth and her brother Matt in The Times' Relative Values column. Most likely because of Ruth's upcoming role in Stephen Poliakoffs "Capturing Mary" to be shown on November 12th.

Also there is an article about the Poliakoff trilogy in The Times here.

Ruth in Suburban Shootout

Ruth is reprising her role as Jewel Diamond in Suburban Shootout and there's a cast bio for Ruth here. The photo is taken at a bit of an odd angle though!

The website for the show on Five is quite fun and the show is actually quite a little bit bonkers.

Philistines - Cast Interviews

It does exactly what it says on the tin!

You can find a short film of four cast members talking about Philistines on YouTube, or on the Philistines page at the National Theatre site.

Why they filmed Ruth and Rory in Black and White, I have no idea!

Enjoy!

p.s. I did finish that script writing assignment in the end, and I got 86%, very chuffed!

Philistines Workpack

There is a lovely interview with Ruth, among a lot of lovely, detailed and interesting information about Philistines, in the National Theatre Workpack for the play. That is where the above lovely photo comes from.

Click here to open or download (it's a pdf document): Philistines Workpack.

Philistines Review and Online Trailer

I was going to do a roundup of the reviews for Philistines, but as jellybean has done this, I urge you to check out her blog, which also has many lovely photos of Sam West, which you can never have too many of really.

The National now has the Philistines trailer up, in which Ruth does appear and I have made a few screencaps:



Enjoy!

Bafta 2007 Awards and Philistines

Alas Ruth didn't win the Best Actress award at the Bafta's last night, but she will be in Philistines at the National Theatre and she gave an interview to whatsonstage.com, which you can read here.


And here are some pictures of Ruth looking lovely at the Bafta's!

Ruth Wilson Interview On BBC Breakfast

Hope you enjoy this video of Ruth On BBC Breakfast this morning. I had to snip out the clips of the programme to make the video fit on YouTube!

Make That Bonnet Work For You! Or Ruth Wilson's Guide to Surviving a Costume Drama

To mark the DVD release of "Jane Eyre", Time Out asked Ruth to give her top tips for anyone suceeding her as Jane Eyre.

Here they are!

1. Don't do the typical posh thing with your voice. Wilson says that she did her first audition in received pronunciation and the second one in broad Yorkshire. After some debate, the team decided to go with a mixture. "I put a bit of Yorkshire in the vowel sound, which shows she's different from the rest."

2. Remember that once you enter the loo in your voluminous costume, you may not be able to turn around, so go in facing the right direction. "I was wearing layers and layers of petticoats and thermals underneath, so it wasn't very easy. Luckily I managed to go to the loo without needing assistance."

3. Don't overdo it at lunchtime. "If you've got a corset on, you have to remember not to eat too much, or it just won't go down. But if you don't eat enough, your stomach will start rumbling mid-afternoon, which is not funny when you're miked up."

(Not actual corset)

4. If you have to suffer for your art, make the most of it and use the constriction to inform your performance. "I had a corset that was moulded to my body and used to think of as a shell that was holding her in while all those emotions are bubbling away inside her."

5. Jane doesn't have many lines, so know the book backwards and understand the emotions, "I went through the script and cross-referenced it with the book, so I knew exactly what Jane's reaction was to everything, even if she wasn't saying anything."

6. Make that bonnet work for you! "We were very lucky because we had these nice open ones which are like a halo around your head - sometimes with period drama they're a bit like a tunnel around your face."

Sorry I couldn't scan the article in, but there was niece with a nose bleed and well things got a little messy! Don't worry she's fine now.

Jane Eyre DVD

Yay and double YAY! I got my DVD of Jane Eyre today! Oh that rhymes, it wasn't meant to...

Here it is:

Sorry it's a bit blurry! And why am I getting so excited over a DVD?

Talk about a palaver when I was buying it. Being unorganised I didn't preorder and get it delivered, and seeing as I have a week off (that I categorically did not schedule to coincide with the DVD release, it's just a coincidence) I decided to buy it on the day.

Anyway, I ended up buying it from Sainsbury's because I wanted to use some Nectar points up. I don't recommend it. I go to the kiosk to get the DVD's put into the empty case and I get the case back. As I walk out, being incredibly hasty to get my first look at the discs I open up the case and am incredibly confused to see only one DVD in it. Yes, only one DVD that is marked as "Disc Two". Eh?

I go back to the little old lady in the kiosk and ask for both DVD's please. "But there's only one," she replies. I point out the fact that my DVD says Disc Two, so presumably there must be a Disc One to go with it musn't there? As further proof I show her the cover that says: "2 Disc Set". She then decides to shout "Kelly!" for some unknown reason, as Kelly resolutely refuses to appear. She goes back to her little tray and rummages around for a bit before returning and giving me my missing disc. I suspiciously check to make sure she hasn't actually given me two disc 2's or something like that, but I can happily report that I now have a full set of DVD's. As I leave the little old lady screeches "Kelly!" again at quite a loud volume and I scamper off with my DVD a happy bunny.

The special features are ok: a picture gallery, so I expect to see a lot of fan art soon. Audio commentaries on each episode, I haven't had a chance to listen to yet, but expect it to be quite informative. Only about 20 minutes of deleted scenes, I had a quick flick through them and they look quite promising. The only gripe I have is that they look like rushes with the editing timecodes beneath and they are a smallish picture, I would have preferred full screen with a menu at the start, as by the looks of it you can't choose which deleted scene you want to watch, you have to just watch them all. I will watch them all, but it would have been nice to have been able to choose which order to watch them in. The cast interviews look like extended interviews from the ones that were featured in "Reader, I Married Him" which were done by Daisy Goodwin.

There are also the trailers for the series, which makes me wonder, while bashing my head against a brick wall, why I bust a gut transferring them from the tellybox to my laptop, and then sat around for ages while they uploaded to YouTube. I will never do that again. Of course if the producers thought, hey people want to see the trailers because I uploaded them, then great, but I will never know.

These are my first impressions, I'll probably do a longer entry once I've watched all the extras.

And for all the people who were asking why the BBC hadn't released the DVD earlier, say at Christmas, I believe it's due to the fact that a few shops, HMV in particular, are promoting it as one of their range of "Romantic DVD's" in time for Valentine's Day. As a stone hearted cynical pragmatist, I say bleurgh. I'd have preferred it earlier rather than later, especially as the extras aren't that special.

Jane Eyre Actors Update

Ooh, well it's been a while since I wrote anything, this is mainly because there has been no Jane Eyre and I have not been that enthusiastic about anything else.

I thought I might do a little post about what Ruth and Toby have been doing or are in the process of.

Ruth will be in a new Miss Marple mystery and the new Stephen Poliakoff drama, amusingly alongside Toby's mum, Dame Maggie Smith.

Toby, meanwhile, will as I mentioned before, be in a drama for the BBC about Custer, a sneak peek at his hairstyle in this earlier post. There was a video on YouTube, but alas the BBC have had it taken down!

Also (thanks to the anonymous commenter who told me this little fact: speak up mystery TobyFan!) Toby and his beautiful wife Anna-Louise are expecting a baby! It's going to be one gorgeous child! Congratulations Toby and Anna-Louise.

Jane Eyre Episode Four in 8 Minutes

Well, it's been a videotastic day today. Interesting to see that each successive video had gotten longer. I'm slightly glad now that there weren't more episodes! I hope you like the videos.

Jane Eyre Episode Three in 7 Minutes

And now for your viewing pleasure: Episode three!



Enjoy!

Jane Eyre Episode Two in 6 and 1/2 Minutes

Here's episode two!



Please enjoy.

Jane Eyre Episode One in 5 Minutes

Had a day off of work and got a bit bored, which is suprising considering how many books I have in my "hurry up and finish me or I'll be overdue at the library" pile. Hope you like my abridged video, sorry if I left out your favourite part!



(Sorry the quality isn't the best, but I'm new to this video editting thing, and the fades between the scenes were necessary as I kept having wierd lurches in background music otherwise.)

Jane Eyre Episode 4

I'm quite late with this post, again! But as you can see, I've gone screen cap crazy and I had a few problems getting them uploaded to blogger, why won't it let me in!! And I've been busy, sorry about that.

This has been the most looked forward to episode of any programme I've watched this year, the reasons being, the acting, the actors and the gorgeous cinamatography; some frames had real filmic qualities and the whole series had a gorgeous aesthetic, which highlighted the atmosphere and underpinned the drama extremely well.

We start with Jane asleep on a rock, penniless, alone and driven to drinking water from a rock pool. Ruth Wilson looks suitably bereft, disheveled and destitute.

The director, Susanna White, has made wonderful use of the moors, they mirror Jane's bleak, empty feeling, vast and seemingly unending. I like the artful smudges of dirt that they have used here, it puts me in mind of Oliver! I almost expect her to burst into song. Jane's hair is so messy here because she left her bonnet beside a rock pool in her haste to escape the creepy shepherd that was watching the strange wandering lady, who was drinking from a rock pool. (In my real life, I analyse water for a living; believe me, you don't want to drink untreated water, I know what's in it! I hope that was a stunt pool, specially created, or it is what explains Ruth Wilson's illness during the shoot.) Jane is rescued by St.John (SinJun as it is pronounced) and his two "excitable" sisters. I put the word in quotes, because it is what Alison Graham in the Radio Times described them as. And she got it spot on. They were lively and generous, somewhat prone to flights of fancy and slightly intrusive questions such as: "Are you having a bad memory?" Their detective work was limited to reading the labels on Jane's dress; investigative masterminds these two aint. But I think they were portrayed elegantly and sparely, letting us know enough about them, without clogging up the narrative too much. St. John Rivers, on the otherhand, is almost the opposite to his sisters, where they are lively and curious, he is dry and fastidious. I'd like to bring attention to the sterling work that Andrew Buchan did. He brought St. John to life and gave him the right amount of austerity and reserve, and without making him overly priggish and overbearing. This is a gentler man than in the novel, where he almost browbeats Jane into marrying him, here he is a man devoted to God and mindful of his position in society, so much so that he rebuffs Miss. Rosamund Oliver's friendly gestures.

I have a soft spot for St. John, when I'm reading the book, I always shout (in my head) "marry Rosamund Oliver, you idiot!" I liked St. John's " This talk is pleasant, you may continue for another quarter of an hour", and then he gets his watch out. Talk about clock watcher.

The differences between St. John and Rochester are apparent, while Rochester would have given way to his passions, St. John on the other hand hides and suppresses his feelings (passion?) for Rosamund. His ambition is to be a missionary and to do God's work, there is no room for feelings or passion. His clothing is naturally clergyman black, and his collar looks as if it is about to choke him. While walking on the Moors, Jane and the Rivers, meet Rosamund, who has been going out of her way to talk to and invite St. John to dinner. He, ever the insensitive idiot, refuses and she walks back dejected, wishing she hadn't put her best hat on. Her shoes also looked entirely unsuitable for a country walk.
St. John proposes that Jane become the School Mistress at the newly formed Girls school. He proudly shows Jane a muddy barn, with a box in it. At least Lowood had floorboards! I suppose this was so Jane can bring nature into the classroom, literally.

Jane accepts the offer, but in her characteristically forthright way, states "no beatings" and the freedom to set her own curriculum. St. John agrees and her salary is to be £ 30 a year, just the same as when she was Adele's governess.

I believe that Rochester still owes her £5 pounds, she never got the remainder of her wages after returning from Aunt Reed's funeral. Stingy git. The school comes with a black board, mud, a clock, a bell and an adorable little girl who cutely can't tell the time, but can ring a mean home time bell. From the state of her hair, she doesn't know how to comb her hair either.
Jane reminisces about her and Rochester's last meeting, which takes place, somewhat unwisely in her bedroom. Rochester, strokes and caresses and whispers huskily into her ears. Jane mutely allows him to do so (and is probably secretly enjoying it).
The touching I liked greatly, it wasn't strictly in keeping with book, but it had a sensual effect, which no doubt was the directors intention. The kissing on the other hand seemed to me to be a sop to the more romantic viewer who needs everything spelled out; it screamed "this scene is meant to be sexy and erotic!" I just felt a bit uncomfortable, I would have preferred a few caresseses and husky whispering, it would have been far more effective to have kept the kisses till the reconciliation scene, instead of shoe horning them in here.

I know quite a few viewers liked the kissing on the bed, maybe I will when I rewatch, but at the moment, it just seems too overt and explicit a scene to have before the end. I do think it diluted the chemistry between them and would have far rather preferred a pleading Rochester to a kissin' Rochester, well at this point anyway.

Here Rochester has just realised that his manly bulk pressed down on little Jane has caused her to stop breathing, so he hurriedly administers the kiss of life.

Having revived Jane, her promptly rolls off and looks over to make sure Jane is now breathing. Jane gasps a little for breath. This part of the scene was far more effective, Rochester tenderly holding Jane and whispering pleadings into her ear. If the entire scene had been done like this, I would have liked it better.

Rochester alludes to his Mediterranean villa and beseeches Jane to go away with him there, to live a platonic life together, with tea and bowls in the afternoon. Perhaps a chaste kiss on her birthday, which I suspect would last for 365 days of the year!
All these daydreams are far too much for Jane, who sobs like a child and does an ill conceived frog impression.
It seems to me that St. John is a far more punctilious boss than Rochester and has punctually paid Jane so that she can buy a new dress.
Rosamund Oliver comes to call on a horse and brings a few doves for the Dovecote. She asks if Jane is pleased with how she had set up the school and Jane says yes, instead of "Where are my floorboards?" St. John ignores Rosamund and she makes a petulant face and makes her servant walk all the way back up the moor.
A year on, Jane has now become rich on her inheritance and has shared it out amongst herself and the Rivers. St. John has proposed to Jane as he wants her to come to the Cape with him and Jane is not keen on this state of affairs and is sitting by a babbling brook cogitating her options and hears an almost sepulchral "Jane, Jane!" She immediately decides to run back to Thornfield to see Rochester.

I want to make a note about the change in St. John's destination from India to Africa. It seems like a bizarre change to make, what language therefore is St.John asking Jane to learn, Swahili?

She rushes back to Thornfield and is dismayed to find that Thornfield is now a burnt out wreck.

Jane sits in a field, taking comfort in the company of a few raggedy looking sheep and a kindly passing shepherd (who looks suspiciously like the one up on the moors) who tells her that Thornfield was burnt to the ground.

A figure wanders the corridors of Thornfield with a candle, and then decides to set Jane's old wedding dress on fire, possibly because the candle isn't giving out enough light and decides to drag it around the house like a pet dog, but obviously more aflame.
The arsonist turns out to be Bertha! Quelle Surprise! She dances on the roof of Thornfield in the flames and appears to be very happy until Rochester arrives to take her down.

Claudia Coulter did the best job she could with the little she had. Her Bertha was mad, but not mad enough for me, she seemed far too petulant and magnificently well coiffed to be truly insane. I want drooling and crazy hair, but we got a restrained and downbeat performance, which is the adapters fault, not the actresses'. The mystery of the North Tower was elegantly introduced in the first two episodes, but the fact remains that despite the wildcat flailings of Bertha at Jane in the third episode, the reveal of the mad woman in the attic just wasn't as dramatic or kinetic enough to truly convince us of Bertha's insanity. She seems more of a piteous creature shut up alone in the North Tower, who can blame her for escaping at night ?(the mechanism for which is never explained: Grace Poole's gin habit isn't revealed).

The theme of sexual jealousy was not overplayed by the script or the director, but it was evident, and in this adaptation at least it was appropriate. To have such an exotic and attractive Bertha, who was directly in contrast to plain Jane, was a brave move and one which ought to have been developed further; Jane and Bertha (despite her madness) could not help to be jealous of one another.

Rochester entreats Bertha to follow him down and take his hand, she sees an owl fly off the building and in a bid to escape the flames and the prison that Rochester has created for her, she longs to do the same. She, like Jane is a bird who wants to fly away, but when she flings herself into the air, she falls to her death. Rochester seems somewhat weary in this scene, his entreaties don't sound entirely sincere, if he wanted to stop Bertha, he could have grabbed her and physically taken her downstairs, I don't think he ever believed that Bertha would jump and thought that his request would be acceded to.

On a more shallow note, Toby Stephens in an open shirt with sooty smudges, mmm, nice! Heavens Bertha, go with him!
Thornfield burns merrily away, I'm not surprised that during filming neighbours of Haddon Hall, where Jane Eyre was filmed, were alarmed by the flames, it looks positively ablaze. I was disappointed that there wasn't a Rochester dodging flaming beams scene, it would have explained his burns and poorly arm.

Jane rushes to Ferndean, through a portentous wood and spies on Rochester walking out into his garden, when he looks over to her, her smile is wide, but it quickly fades as she realises that Rochester can't see her. Jane in this scene has another new dress, that St. John, he really does pay his wages on time.

In the book, this scene takes place in the rain, but I suppose due to budgetary reasons this was changed. I however would have liked that to have remained in place, the rain makes Rochester look more vulnerable.

Rochester sits in his chair growling like a bear and demanding candles, Jane enters the room and Pilot recognising her starts to bark. Jane helps Rochester to drink, and he starts to realise that the servant probably isn't George as Jane gently mops his lips.

This is my favourite scene of the series bar none, the strength of Rochester's emotion is gasp inducing, Toby Stephens acting is superlative. From the moment he grabs Jane's arm when she speaks, his anguish and pain are written on his face. The way his voice breaks as he asks Jane: "You are real?" portrays completely all the emotion and vulnerability the character possesses. During this series, the strongest scenes have always been those in which Jane and Rochester interact, with both actors giving their all, in this scene, Toby gives his all and then reaches down into his tight britches and finds some more, all Ruth can do is react, which needless to say she does marvellously.
The scene is made all the more difficult with Toby having to play blind as well, which is done sensitively and thankfully done without the eyerolling that some actors have to employ to show their blindness. As with the last episode, the small flickers of emotion that flit across his face amply display Rochester inner turmoil and sheer relief and joy at having Jane back with him again, the way he clasps her, he does not even mean to let her go. I think I can proudly state that I didn't see a single sneer from Toby Stephens during the series, which just goes to show he can control his sneer and that he can play sympathetic and compassionate fellows just as well as villains, better in fact.
(I wish Rochester had said:"What sweet madness is this?" How's Thursday Next going to get home now?! )

Jane positions herself on Rochster's knee and proceeds to fill him in on her year away. Rochester hasn't lost his hand and the small burn on his left hand side has been derided by some to be not bad enough. I think the burn is ample, it's enough to make him unsuitable for a society bride, Blanche Ingram would not countenance such a defect, but it cleaves Jane to him further. I can live without the amputated hand, as it appears that Rochester doesn't get his sight back at the end, he might as well as have two hands to hold his babies.

The scene with Jane and Rochester sitting by the fire, is a tender one, Jane tries to make Rochester's shaggy mane of hair more agreeable by passing a comb over it, not particularly well (she'll never make a hairdresser), but the thought was there. I like this new tactile Jane, it underlines the strength of her affection for Rochester, so strong that she can barely stop herself touching him. Her wide smile as Jane leaves Rochester for the night, is a mixture of joy at returning and finding her love reciprocated and mischievous, she going to bed and leaving Rochester to wonder if she will return in the morning.

Obviously she does return in the morning and she and Rochester sit by the river while she cruelly describes the wildlife flitting around them, go on Jane rub in the fact you're not blind! Just joking, it is no doubt an allusion to Jane and Rochester's talent of talking all the time with is described in the book.

Rochester's burn and blind eye look realistic, the eye doesn't look fake blind and I'm glad they didn't do a Timothy Dalton and glue it closed.

Rochester tells Jane he wants a wife to share his bed all night and all day too if possible! I thought that was a wonderful line, despite his weakness and vulnerability now, he is still a snarky fellow and his intellect and humour had not been damaged, which is probably what Jane fell in love with, after all Rochester is not a handsome chap, despite all the evidence to the contrary.

Rochester's angst levels are still quite high, he knows that he's not a whole man anymore and doesn't know if Jane can love him now he's broken.

Jane teases him with details of her stay with the Rivers and Rochester is jealous of St. John. He tells Jane that they could not be platonic, as he had once suggested they live as brother and sister, Jane agrees and says that Edward is all hers and kisses him. In a mirror of the bedroom scene, Jane pushes Rochester down and lies on top of him, thus cementing her new position as the mistress and Rochester the servant. Despite her slight frame, Rochester appears to be labouring for breath, so Jane obligingly starts the kiss of life routine.

Rochester ever the gentleman, runs his hand down her body to rest on her bum (I didn't learn this in the first aid course) and as Jane makes no protest at this, I'm sure she doesn't mind.

Ah, now they're knocking their boots together. Make your own assumptions. I like this image though, it shows us how much Edward and Jane are entwined and it's not something you would necessarily see at the end of a costume drama. At least it's not a kiss outside a church door.
The family gathers for portraitit and Jane has a new dress, and looks resplendent with her curls. Rochester calls for his baby and Jane gets an unhappy child perched on her knee.
This last shot has got some pretty negative responses from many people, that they feel that it was too twee and schmaltzy to have everyone gather as if for a photograph. I liked it. You don't see this in a period drama and what it is showing is Jane's happy ever after. From an orphaned and abused young girl, she is now mistress of her own home and her husbands heart, with all her family around her, and not forgetting St. John peering out at us from the frame in his African paradise garden (or so it seems).

This is the first Jane Eyre adaptation I've ever seen, it was not perfect, the last episode flagged for not having a large amount of Jane/Rochester interaction, but on the whole, I thoroughly enjoyed it. Ruth Wilson was absolutely superb as Jane and so was Toby Stephens as Rochester, in my humble opinion they should both get awards for their performances, unfortunately it looks like very strong opposition this year, and romantic costume drama protagonists tend to get overlooked in lieu of actors playing straight dramatic roles. If they don't at least get nominated something is definitely wrong with the world!

Just before I end, I want to say thanks to everyone who's commented and read the blog, I hope you all enjoyed it. I will probably keep tabs on what Toby and Ruth continue to do and I might put a few reviews I've found on the blog. When the DVD comes out if it's full of extras I may not be able to stop myself from effusing enthusiastically!